In Futurist paintings, like Tullio Crali's Before the Parachute Opens (1939), perspective and form give way to a sense of motion and fracture, often melding man and machine. (Casa Cavazzini, Museo d'Arte Moderna e Contemporanea, Udine, Italy/Photo: Claudio Marcon)
{"Image ImageWidth": "3543", "Image ImageLength": "3328", "Image BitsPerSample": "[8, 8, 8]", "Image Compression": "Uncompressed", "Image PhotometricInterpretation": "2", "Image ImageDescription": "Tullio Crali  Before the Parachute Opens (Prima che si apra il paracadute), 1939Oil on panel, 141 x 151 cm Casa Cavazzini, Museo d\u2019Arte Moderna e Contemporanea, Udine, ItalyPhoto: Claudio Marcon Tullio Crali. prima che si apra il paracadute, 1939. Casa Cavazzini, Galleria d'Arte Moderna e Contemporanea di Udine.", "Image Make": "NIKON CORPORATION", "Image Model": "NIKON D80", "Image Orientation": "Horizontal (normal)", "Image SamplesPerPixel": "3", "Image XResolution": "300", "Image YResolution": "300", "Image PlanarConfiguration": "1", "Image ResolutionUnit": "Pixels/Inch", "Image Software": "Adobe Photoshop CS6 (Macintosh)", "Image DateTime": "2014:05:01 19:10:53", "Image Copyright": "COMUNE DI UDINE - Casa Cavazzini,GALLERIA D'ARTE MODERNA e CONTEMPORANEA", "Image ExifOffset": "724", "Thumbnail Compression": "JPEG (old-style)", "Thumbnail XResolution": "72", "Thumbnail YResolution": "72", "Thumbnail ResolutionUnit": "Pixels/Inch", "Thumbnail JPEGInterchangeFormat": "862", "Thumbnail JPEGInterchangeFormatLength": "7676", "EXIF ColorSpace": "Uncalibrated", "EXIF ExifImageWidth": "300", "EXIF ExifImageLength": "282"}