BOHLMAN CHAPTER Vienna is an epitome of a music hearth, but it also serves as a magnet: -- much of the music we identify with was created by outsiders, and – many of the people who flock there, both as performers and as tourists, do so because of its reputation for music Throughout the chapter, the author interweaves a discussion of folk and high or so-called classical music – usually divided into the baroque (Bach), classical (Mozart), Romantic (Wagner), and modern periods (Schoenberg).
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