Alexandra Ekster in front of Udaltsova's paintings at the exhibition The Store, Moscow, 1916 (b/w photo)
{"Image ImageDescription": "2653761 Alexandra Ekster in front of Udaltsova\u2019s paintings at the exhibition The Store, Moscow, 1916 (b/w photo) by Russian Photographer (20th century); Russian State Archive of Literature and Art, Moscow; (add.info.: Aleksandra Aleksandrovna Ekster (Russian: \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440\u0430 \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440\u043e\u0432\u043d\u0430 \u042d\u043a\u0441\u0442\u0435\u0440, Ukrainian: \u041e\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440\u0430 \u041e\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440\u0456\u0432\u043d\u0430 \u0415\u043a\u0441\u0442\u0435\u0440; 6 January 1882 \u2013 17 March 1949), also known as Alexandra Exter, was a Russian-French painter (Cubo-Futurist, Suprematist, Constructivist) and designer.\n\nThe Last Futurist Exhibition of Paintings 0.10 was presented by the Dobychina Art Bureau at Marsovo Pole, Petrograd, from 19 December 1915 to 17 January 1916. The exhibition inaugurated a form of non-objective art called Suprematism, introducing a daring visual vernacular composed of geometric forms of varying colour. This sort of geometric abstraction was distinct in the apparent kinetic motion and angular shapes of its elements.); Russian,  it is possible that some works by this artist may be protected by third party rights in some territories.", "Image Copyright": "Bridgeman Images"}